Only The Chief himself really knows if ‘Wonderwall’ was written for his ex-wife Meg Mathews or, as he’d later claim, an “imaginary friend”. James Dean Bradfield proffered one of his finest vocal performances too. Suddenly, all that group therapy they underwent years later makes more sense…įorced to carry on as a three-piece after the disappearance of Richey Edwards, ‘A Design For Life’ saw the Manics backed into a corner but coming out fighting against elitism and displaying the proud battle-scars of class conflict, as Nicky Wire’s near-perfect lyrics become entangled in the grandiose string arrangement.
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Singer James Hetfield was so aghast at the prospect of ‘Enter Sandman’ being too catchy that he set about penning some of the most disturbing lyrics he could muster, with lines such as “ It’s just the beast underneath your bed” thought to be references to cot death. “ You’re constantly updating your hit parade of your ten biggest wanks,” winked Stuart Murdoch over a rollickin’, rollin’ tune. They may look like the bookish types who’d tell you to ‘Sssh’ in a library, but Belle And Sebastian ramped up the raunchiness here, as they paid tribute to saucily tongued Arab Strap singer Aiden Moffat. The Boilerhouse remix was the one that did it, hepping up the Lou Reed ‘Walk On The Wild Side’ sample and throwing in any effect knocking around the studio – including an intro from “It’s all gone” Pete Tong. Members of the Native Tongues group of ‘conscious’ rappers along with De La Soul and The Jungle Brothers, A Tribe Called Quest got their UK breakthrough with this laidback chant-a-long. And who can say they haven’t done that? It hurtles along, and when Jarvis protests, “ I only went with her ‘cos she looks like you… My God!” – well – 1992 peaks, doesn’t it? On the cusp of greatness, or at least mainstream recognition, Pulp released one of their best-loved songs, a tale of fancying your girlfriend’s sister and hiding in her wardrobe.
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“ Before me dig out a bitch I have to find a contraceptive,” he purred, one eye already on a future in directing pornography. The good physician wasn’t operating alone, though – Snoop Doggy Dogg provided the star turn, his languid drawl oozing machismo. And who could resist that snare roll…Īnd lo did Dr Dre introduce the world to G-Funk, a new strain of West Coast rap with its slow, deep grooves and fat bass. ‘Laid’ saw Tim Booth getting hot and heavy with lines such as “ The neighbours complain about the noises above, but she only comes when she’s on top,” and subsequently found himself an audience on US college radio. Grandiose guitar blowouts don’t come much more epic.Ī potentially great UK Number One that was robbed of the top spot by cruel coincidence? Production duo Leftfield were onto a sure-fire winner when they put their brain-pummelling electronica in a blender with John Lydon’s sneering vocals, but his yelp of “ Burn! Hollywood Burn!” chimed uncomfortably in the wake of the Californian forest fires that spread the same week the track was released.ĭon’t let that innocently jangling melody fool you, folks. But it’s that ridiculous bluster that makes ‘November Rain’ such a killer tune, from the highfalutin’ deployment of the orchestra to Slash’s never-ending solo. Overblown? Guns N’ Roses? Nah, the original version of ‘November Rain’ was (reportedly) only a piffling 18 minutes long the video cost a mere $1.5 million to make. But they can rest content that they’re one of the most fondly remembered one-hit wonders of the decade: the feelgood guitar pop of ‘You Get What You Give’ stormed charts across the globe, and was named by U2 guitarist The Edge as the song he wished he’d written. Regrettably, New Radicals didn’t make it to the 2000s, deciding to call it a day with just the one studio album under their belt in 1999. Snoop’s idle, laidback style was another pivotal moment in the transformation of West Coast rap, as it moved further away from the abrasive violence of NWA into funkier, more melodic pastures. “ She want the nigga with the biggest nuts, and guess what?/ He is I, and I am him” No self-deprecation for Calvin Broadus as he teamed up with Dr Dre for the first single from his debut LP ‘Doggystyle’.